28.6x32.1,,,,台北故宫博物院。参考资料：石渠宝笈三编（乾清宫），第二册，页527 参考资料：故宫书画录（卷三），第一册，页71 参考资料：俞和（活动于十四世纪中叶），字子中，号紫芝生。浙江杭州人。确切生生卒年不详，至正二十三年（1363）尚在。性情安恬澹泊，隐居不仕。能诗，善书法，尝遍临晋唐诸名家书体，工力极深。早年得到赵孟𫖯（1254-1322）指授，颇得赵氏运笔之法，行草书逼似赵字，几可乱真。 南朝梁武帝萧衍（464-549）尝指命周兴嗣用一千个不同的字，编写四字一句，运用对偶押韵的方式，以便于记忆朗诵，后来此千字文作为学童启蒙的读本，广泛流传。唐人重王羲之（303-361）书法，尝以王字集成千字文帖。而历代书家如隋释智永、唐欧阳询（557-641）、孙过庭、释怀素（725-777？）等都有写本或刻本传世。受此流风影响，一直延续至元、明、清诸朝。其中，除了本幅外，如祝允明（1460-1526）、王宠（1494-1533）等明代吴派重要书家，亦皆有草书千字文藏于本院。 本幅〈篆隶千字文〉，共计三十七幅，凡二百九十五行，正文每行七字，以篆隶隔行分体书成。篆隶分行除了方便识读外，两相并陈同时也呈现了不同书体的美感，如圆笔的篆书，结体修长坚实，笔法瘦硬挺拔；另外，方笔的隶书，严谨整饬，笔锋外露，挫力较重。 参考资料：俞和（1307－1382），字子中，号紫芝生，浙江杭州人。性安恬澹泊，能诗善书法，遍临晋、唐诸家，功力极深。早年得赵孟𫖯（1254－1322）亲授，故书法逼似赵字。本册以篆、隶隔行并排书成，除了方便识读外，也呈现了不同书体的美感。篆书的结体修长坚实，线条瘦硬挺拔，隶书结字方阔，用笔严谨整饬，风格优雅。 参考资料： Yu He (style name Zizhong, sobriquet Zizhi sheng) was a native of Hangzhou, Zhejiang. Leading a simple and tranquil life, he was also gifted at poetry and excelled at calligraphy, repeatedly copying the works of Jin and Tang dynasty masters to achieve thorough mastery. In his earlier years he was personally instructed by Zhao Mengfu (1254-1322), which is why his calligraphy is similar to Zhao’s. This album transcribes the “Thousand Character Classic” in alternating rows of seal and clerical script for the same passage, making it not only easier to decipher the individual characters, but it also reflecting the beauty of these different calligraphic script types. The character forms in seal script are elongated yet solid and the lines slender yet powerful. The characters in clerical script are broad and angular, the brushwork regulated and neat as well as refined and elegant in style. 参考资料：1.〈元俞和篆隶千字文〉，收入何传馨、陈阶晋、侯怡利主编，《五体千字文选辑》（台北：国立故宫博物院，2010年六月出版一刷），页73。 何炎泉，〈千字文概论〉，收入何传馨、陈阶晋、侯怡利主编，《五体千字文选辑》（台北：国立故宫博物院，2010年六月出版一刷），页176-188。 参考资料：俞和（1307－1383），字子中，号紫芝生，浙江杭州人。性安恬澹泊，能诗善书法，遍临晋、唐诸家，功力极深。早年得赵孟𫖯（1254－1322）亲授，故书法逼似赵字。本册以篆、隶隔行并排书成，除了方便识读外，也呈现了不同书体的美感。篆书的结体修长坚实，线条瘦硬挺拔，隶书结字方阔，用笔严谨整饬，风格优雅。(20110913) 参考资料：Yu He (style name Zizhong, sobriquet Zizhi sheng) was a native of Hangzhou, Zhejiang. Leading a simple and tranquil life, he was also gifted at poetry and excelled at calligraphy, repeatedly copying the works of Jin and Tang dynasty masters to achieve thorough mastery. In his earlier years, he was personally instructed by Zhao Mengfu (1254-1322), which is why his calligraphy is similar to Zhao’s. This album transcribes the “Thousand Character Classic” in alternating rows of seal and clerical script for the same passage, making it not only easier to decipher the individual characters but also reflecting the beauty of these different calligraphic script types. The character forms in seal script are elongated yet solid and the lines slender yet powerful. The characters in clerical script are broad and angular, the brushwork regulated and neat as well as refined and elegant in style.(20110913)